Tag Archives: latino

Joell Ortiz, !llmind – Latino Pt. 2 ft. Emilio Rojas, Bodega Bamz, Chris Rivers .. Official Video

Joell Ortiz & !llmind recruit Emilio Rojas, Bodega Bamz & Chris Rivers for “Latino Pr. 2,” a continuation of Joel Ortiz’ “Latino Pt. 1.”   The video was directed by A New Vision Film.

Support real Hip Hop music ….

Latino-Pt.-2

iTunes: https://itunes.apple.com/us/album/lat…

http://www.waytoohuman.com
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Official music video by Joell Ortiz performing Latino Pt. 2. 2015 Roseville Music Group

 

Termanology & Manny Garcia “Latino Unification” Official Video

Termanology & Manny Garcia fly to Puerto Rico to film “Latino Unification. Directed By SevOne. Featuring Statik Selektah on the cuts. Produced by Phil Tha Pain & DJ Ready Cee.

This record addresses the historical significance Latinos, specifically Puerto Ricans, played in the birth of hip hop and hip hop culture.

Footage was captured all over the island. The music video reveals the current strong hold hip hop culture has on the island as well as its beauty, historical architecture, culture, & traditions that Puerto Rico possesses. The music video also captures the current state of poverty that has plagued the island for decades.

Manny & Termanology address some of the real concerns in hip hop along with some of the issues Latino artists have to deal with in the entertainment & music industries.

Today! June 23: FROM MAMBO TO HIP HOP: BRONX 7:30-10pm. Free! Outdoor Screening

ARTS IN THE GARDENS: SCREENING OF :

“FROM MAMBO TO HIP HOP”

Rescheduled Due to Weather: Tuesday, June 23, 7:30pm to 10:00pm

7:30 to 8:30pm DJ David Medina

8:30 to 9:30pm Film
9:30pm to 10pm Q&A with director Henry Chalfant

Free admission

Location: Target Community Garden, 1025 Anderson Avenue, Bronx, NY

About From Mambo to Hip Hop
Produced by Elena Martínez and Steve Zeitlin, directed by Henry Chalfant. 56 minutes.
Even in its darkest period, the Bronx created young hip hop artists in music, dance, art, and poetry in the forms of deejay mixes, b-boying, graffiti, and rap. Chalfant shows how closely linked are the two cultures of salsa and breaking.

New York City’s borough of the South Bronx was home to many of the new immigrants from Puerto Rico, Cuba, and other Caribbean islands in the late 40s and early 50s. Machito had already made his musical mark with his Afro-Cuban mixture of Caribbean music and jazz. Mambo ruled the dance floor. Soon Ray Barreto, Willie Colon, and Eddie Palmieri joined existing bands and then formed their own groups to introduce new songs, rhythms, and dances, all of which eventually led to the salsa revolution of the 1970s.  The Fania All-Stars propelled salsa across the nation and beyond.

Growing up in the midst of salsa rhythms, younger dancers, both African American and Latinos, responded most strongly to the instrumental “breaks” being selected by deejays rebelling against the disco craze of the 70s. Soon mixes of these breaks became the music for “break dancers” (eventually known as b-boys/b-girls).

33rd Annual Dominican Day Parade

The Dominican Day Parade in New York City started as a small concert event in 1982 in Washington Heights section of Manhattan.

The 33nd Annual National Dominican Parade, popularly known as the Dominican Day Parade, August 10th, 2014 — the second Sunday in August, as always, from 37th Street to 57th Street along Sixth Avenue. Similar parades, but of lesser scale, are held every year in Haverstraw, New York, Paterson, New Jersey, Boston, and along the Grand Concourse in the Bronx.