Tag Archives: history

NEW SKOOL RULES – INTERNATIONAL HIP-HOP AND R&B MUSIC CONFERENCE AND FESTIVAL

New Skool Rules aims to create a platform for SHARING AND GAINING KNOWLEDGE, NETWORKING, DOING BUSINESS AND HAVING FUN!!! New Skool Rules has been very successful in bringing out the Music Industry’s Movers & Shakers as speakers for the different panels, workshops and masterclasses.

In 2017 New Skool Rules will have some of the biggest names and influential people in the Urban Music Industry as panel members, sharing their knowledge and experiences with the delegates.

This anniversary edition New Skool Rules will feature:

SVP of A&R Omar Grant (Roc Nation), Director of A&R Yaasiel ‘ Success’ Davis (Atlantic Records), SVP of A&R Sterling Simms (Universal Publishing), Head of Urban Global Ryan Press (Warner Chappell/ Warner Music), Grammy Award winning producer/songwriter Chris Henderson and Troy Taylor (Trey Songz),  SVP of A&R Ashley Calhoun (Pulse Music Group), SVP of A&R Shani Gonzales (BMG Publishing) and renowned lawyer Bob Celestin.

All of the Americans will be accompanied by Promoter/ Manager Magdalena Jensen (Poland), Promoter/ Manager Ekatarina Bazhanova (Russia) and the most important person in Urban Media from the UK, Charlie Sloth.

New Skool Rules always makes sure that the top performers in the different markets showcase their talent, from legends like MC Shan and Fredro Starr (Onyx) to LMFAO and Bishop Lamont to extremely known artists from Asia like Joe Flizzow, SonaOne & Mizz Nina, who have graced the New Skool Rules stages.

Federal judge orders cancellation of Redskins’ trademark registrations

More and more people are saying the NFL franchise for Washington should change its name.

A federal judge in Northern Virginia ordered the cancellation of the Washington Redskins  federal trademark registrations on Wednesday, according to the Washington Post. The decision comes 12 months after the United States Patent and Trademark Office cancelled the Redskins trademark registration because it considered the team’s name “disparaging to Native Americans.”

Washington Post :

The cancellation doesn’t go into effect until the Redskins have exhausted the appeals process in the federal court system. But even if the Redskins ultimately took the case to the Supreme Court and lost, the team can still use “Redskins” and seek trademark protections under state law. The team has argued, however, that a cancellation of its trademarks could taint its brand and remove legal benefits that would protect against copycat entrepreneurs.

Today! June 23: FROM MAMBO TO HIP HOP: BRONX 7:30-10pm. Free! Outdoor Screening

ARTS IN THE GARDENS: SCREENING OF :

“FROM MAMBO TO HIP HOP”

Rescheduled Due to Weather: Tuesday, June 23, 7:30pm to 10:00pm

7:30 to 8:30pm DJ David Medina

8:30 to 9:30pm Film
9:30pm to 10pm Q&A with director Henry Chalfant

Free admission

Location: Target Community Garden, 1025 Anderson Avenue, Bronx, NY

About From Mambo to Hip Hop
Produced by Elena Martínez and Steve Zeitlin, directed by Henry Chalfant. 56 minutes.
Even in its darkest period, the Bronx created young hip hop artists in music, dance, art, and poetry in the forms of deejay mixes, b-boying, graffiti, and rap. Chalfant shows how closely linked are the two cultures of salsa and breaking.

New York City’s borough of the South Bronx was home to many of the new immigrants from Puerto Rico, Cuba, and other Caribbean islands in the late 40s and early 50s. Machito had already made his musical mark with his Afro-Cuban mixture of Caribbean music and jazz. Mambo ruled the dance floor. Soon Ray Barreto, Willie Colon, and Eddie Palmieri joined existing bands and then formed their own groups to introduce new songs, rhythms, and dances, all of which eventually led to the salsa revolution of the 1970s.  The Fania All-Stars propelled salsa across the nation and beyond.

Growing up in the midst of salsa rhythms, younger dancers, both African American and Latinos, responded most strongly to the instrumental “breaks” being selected by deejays rebelling against the disco craze of the 70s. Soon mixes of these breaks became the music for “break dancers” (eventually known as b-boys/b-girls).

Nas drops some knowledge “America Selling A False Dream” what do you think ?

In the wake of what is the Charleston church shooting

America paints a picture of terrorism all over the world but allows it to exist on our very own soil  for years an turns a blind eye to radical groups like the KKK, Council of Conservative Citizens and many  others groups that carry the similar message of pure evil racism, hate groups that target blacks, Jews, Hispanics, East Asians and Middle Easterns.  These groups should be looked at as terrorist and no different then how america views al qaeda or any terrorist group out there that poses a threat to Americans.   But some how are allowed to exist in this country which is sad and the real problem. 

Nas speaks on these issues below

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America has spent so much time, money & resources fighting wars abroad and completely fell asleep at the wheel of the war brewing within our cities, neighborhoods & blocks. We are supposed to stand for freedom & equal opportunity. That’s supposed to mean MORE than just words but the actions of late just don’t speak to what we are supposed to stand for. This is BIGGER than BLACK and WHITE. This is about America selling a false dream. Now we’ve obviously progressed since the inception of this nation but we took our eye off the ball and it feels as though things are moving backwards. As a black man, I find it difficult to understand that our biggest export (our American culture) comes from us. The people in the streets… The way the world dresses, talks, what they listen to, what they watch… That all comes from us. How can we be the ones responsible for America’s biggest export & fear for our lives like we shouldn’t belong here. I don’t have all the answers nor do I believe anyone does, but we need to have conversations around how to improve as a nation. How do we show any ounce of progress that keeps hope alive. This is too big of a problem to be solved overnight but there needs to be some questions answered to get things back on the track of righteousness. Amazing people died for this country. We owe it to the past, present & future to come together and move this country in the right direction. This is my home just like it is anyone else’s. RIP CRISPUS ATTUCKS. FIRST MAN TO DIE IN AMERICA’s FREEDOM WAR & HE WAS BLACK! GOD BLESS EVERY OUNCE OF INNOCENT BLOOD SHED FOR THIS NATION & MY FAMILY.

You Are Here Scholars Protest New AP U.S. History Standards

Great Article written by : Daniel Lattier / Intellectual Takeout : 

This week, an impressive list of scholars across the nation published a letter opposing the new framework for the College Board’s Advanced Placement (AP) exam in U.S. History. You can read the full letter here.

As you may know, millions of U.S. high school students take an AP U.S. History course and exam each year in the hopes of earning college credit. The new framework of the exam is designed to shape the course curriculum.

The scholars’ problems with the new framework include the following:

  • It takes away teachers’ previous freedom with the curriculum and “centralizes control, deemphasizes content, and promotes a particular interpretation of American history.”
  • The historical view it promotes “downplays American citizenship and American world leadership in favor of a more global and transnational perspective.”
  • The framework is organized around the theme of “identity-group conflict… while downplaying essential subjects, such as the sources, meaning, and development of America’s ideals and political institutions, notably the Constitution.”
  • It shifts away from the previous framework’s emphasis on American exceptionalism and national character in favor of an emphasis on “the formation of gender, class, racial and ethnic identities.”

Those with similar concerns are often met with the straw man argument that they wish to turn a blind eye to the past sins committed by Americans. Fortunately, the scholars anticipated this argument in their letter:

“We do not seek to reduce the education of our young to the inculcation of fairy tales, or of a simple, whitewashed, heroic, even hagiographical nationalist narrative. Instead, we support a course that fosters informed and reflective civic awareness, while providing a vivid sense of the grandeur and drama of its subject.”

The concerns raised in the scholars’ letter are not new to me. I brought up similar ones in an article last year on Minnesota’s U.S. history standards, which you can read here. I have provided these standards below:

These are the standards used in Minnesota’s U.S. history classes at all levels. As you read through them, you’ll notice the presence of the same themes that trouble the national group of scholars: American history as one primarily of class and ethnic conflict, and an effort to shift students toward a more global identity.

Personally, I have no idea how you preserve the United States without instilling a good measure of civic pride and identity in its people. These things have always been thought necessary to the survival of modern nation-states. Those who are seeking to do otherwise probably want what never was and never will be.

That said, please don’t mistake me. I’m not for suppressing the perpetration of these themes. I think an open, public debate on the lens through which we should view America is a very good and necessary thing. Let the battle of ideas commence, charitably, and we’ll see whose ideas have the greatest resonance and staying-power.

What I’m against, though, is a public school system that currently has a monopoly on history curriculum—both nationally through the AP exam and at the state-level—and which uses that monopoly to promote a very particular view of American history. The AP exam and the Minnesota standards do not express a presently-held majority consensus about America’s past. What is more, they often promote a particular, critical view of history to students who have not been adequately schooled in the art of historical criticism themselves. In other words, they’re not allowing for a battle of ideas; to use a loaded word, they’re indoctrinating.

In the fifth century, Augustine famously defined a “people” as “a group of rational beings bound together by a common agreement about the objects of their love.” We the people of the United States were originally bound together by a common love of freedom. Right now, this freedom is not being allowed for in the curriculum of American schools that shapes the minds of our youth. As the end of the scholars’ letter reads, “We can, and must, do better.”

Latino USA presents : ‘A Latino History of Hip-Hop’ Part : 1 & 2

Latino USA is the foremost Latino voice in public media and the longest running Latino-focused program on radio.

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Website: Latinousa.org

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For the first part of a two-part series on how Latinos have influenced hip-hop Latino USA producers Daisy Rosario and Marlon Bishop learn about the early years by talking to legends like Devastating Tito, Lee Quiñones, and Charlie Chase. They break down the four elements of hip-hop: MCing, DJing, graffiti, and break dancing and explore how New York City made it all possible.

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Much is inferred when we say the word “Hip-Hop” and it isn’t always positive but besides that, it usually is tagged as a “Black” thing. Totally unfair and un-true! Ensconced in the global roots of the genre, are Latino giants who after all these years, continue to be overlooked or overshadowed due to the “Black and White” mindset as my interview subject Daisy Rosario so aptly put it.

Rosario and her cohort Marlon Bishop, decided enough was enough, and pulled together an audio documentary which celebrates Hip-Hop from the Latino perspective. A much needed conversation, the series brings us the stories, insights and perspectives of Latinos who have on both coasts, set the stage and laid the foundation for much of what we call “Real Hip-Hop,” outside of any racial lines. They helped create and elevate the craft as well as define the “pillars” accepted as basic tenets of Hip-Hop as a whole.

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“A Latino History of Hip-Hop” Part II Episode, a continuation of “A Latino History of Hip-Hop, Part I,”  air[s] [today] on Friday, June 5. While Part I, which aired on March 20, examined the origins of Hip-Hop in New York City, Part II will explore the profound contributions of Latinos to Hip-Hop culture from the late 80’s to present day, focusing primarily on the music in major U.S. cities, such as New York, Los Angeles and Miami. Latino influence on hip-hop culture is so widely overlooked. 

The segment examines the legacy of the late Big Pun (Christipher Lee Rios), the first Latin rapper to go ever platinum and emerge from the underground Hip-Hop scene in The Bronx. Additionally, the show features special guest Mellow Man Ace, who’s Spanglish hit “Mentirosa” put Latinos on the West Coast hip-hop map. Other guests include rising Puerto Rican star Bodega Bamz and Miami’s DJ Laz. (LatinoUSA.org)

Latino USA (latinousa.org) is a radio program distributed by National Public Radio (NPR). Check out our exclusive interview with series co-creator Daisy Rosario below!

A Latino History of Hip-Hop, Part I: NOW on LatinoUSA.org

 

A Latino History of Hip-Hop, Part 2: NOW on LatinoUSA.org

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For the second part of a two-part series on how Latinos have influenced hip-hop, Latino USA producers Daisy Rosario and Marlon Bishop explore what happens when rap music becomes big business. We hear from Spanglish rap pioneer Mellow Man Ace, chat with radio personalities Bobbito Garcia and Cipha Sounds, find out about how DJ Laz put his spin on Miami bass, and we pay tribute to the legendary Big Pun.

 

Daisy Rosario

Daisy Rosario is a comedian, writer and producer of things from radio stories to live events. Recently graduated from the CUNY Graduate School of Journalism, she also works with The Moth and the Upright CitizensBrigade Theatre. Daisy has interned at Radiolab, taken a play she directed to the Edinburgh Fringe Festival, and is an obsessive baseball fan. Her story “Child of Trouble,” was featured on the Peabody award-winning Moth Radio Hour. She holds a BFA from NYU’s Tisch School of the Arts.

Marlon Bishop

Marlon Bishop is a radio producer and journalist with a focus on Latin America, New York City, music and the arts. He got his start in radio producing long-form documentaries on Latin music history for the public radio program Afropop Worldwide. After a stint reporting for the culture desk at New York Public Radio (WNYC), Marlon spent several years writing for MTV Iggy, MTV”s portal for global music and pop culture. Marlon has also lived and traveled all over Latin America, reporting stories as a freelancer for NPR, Studio 360, The World, the Village Voice, Billboard and Fusion, among other outlets. He is currently a staff Producer for Latino USA.

Insidegov.com ranks presidents from worst to best do you agree with there rankings ?

Ranking Every Modern US President from Worst to First

Posted on April 24, 2015 by Ben Taylor

Throughout American history, citizens have debated the pros and cons of every president, from their leadership abilities to their accomplishments; their foreign policy to their economic progress.

Go Straight to #13

Naturally, it’s impossible to capture the many nuances of each Commander in Chief. How can you account for all the subtle reforms? The timeless speeches? And that’s not to mention the uglier side of the office, with administration scandals, nasty campaigns, and social injustices.

For today, however, we’re focusing on six simple, quantifiable factors for every president since Franklin D. Roosevelt. This list isn’t meant to be definitive, but it can give you a general idea of which modern presidents were more successful than others in these specific areas. These factors, ordered from most weight to least weight, are:

  • Average approval rating throughout the presidency
  • Average margin of victory by popular vote (includes both elections for presidents who sought a second term, whether or not he went on to win)
  • Change in unemployment rate from start to finish of presidency
  • Change in deficit as a percentage of GDP from start to finish of presidency
  • Change in federal debt as a percentage of GDP from start to finish of presidency
  • Congressional seats won or lost by the president’s party during his administration, normalized for length of term

Notably missing? Foreign policy. For this list, we’ve avoided scoring presidents on international affairs, given how difficult these accomplishments are to quantify.

Without further ado, here are the 13 presidents since the time of FDR, ranked from last to first.

Jimmy Carter #13

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Score: 43.18

Carter’s presidency was actually about average in terms of unemployment, debt and the deficit. Instead, his biggest problem was winning over the American people. Both his average approval rating and average margin of victory in elections were among the lowest for modern heads of state.

Explore approval ratings, budget, debt and more with interactive profiles on each of these slides. You can find the data sources listed under each chart.

George W. Bush #12

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Score: 44.70

President Bush’s numbers are below average in most categories, but he takes a notable hit on unemployment. As the economic crises continued to worsen in the president’s final six months in office, unemployment soared, enough to knock Bush into second-to-last.

Gerald Ford #11

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Score: 51.90

Ford’s ascent to the presidency came quickly and surprisingly—a series of events overshadowed by the unfolding Watergate scandal. Two short years later, Ford’s term ended. More than anything, Ford ranks low because he didn’t have much time to accomplish anything of substance.

Correction: a previous version of this page stated that Ford did not seek reelection, which is incorrect.

Barack Obama #10

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Score: 51.93

While Obama has a bit more time to shape his legacy, we ran his numbers to the present day to see where he would rank. The current Commander in Chief has overseen a significant drop in unemployment and done well with the deficit, but his approval ratings remain stubbornly low and the federal debt has increased significantly.

George H.W. Bush #9

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Score: 53.30

In the afterglow of the Reagan administration, President Bush rode a high approval rating through the first three years of his presidency. Unfortunately, his decision to raise taxes—an action that broke his famous “no new taxes” pledge—tanked his ratings and promptly lost him the 1992 election.

Richard Nixon #8

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Score: 58.68

Strictly by the numbers, President Nixon had an average presidency, with some small reductions in the federal debt and a minor uptick in unemployment. Naturally, the Watergate Scandal went on to tarnish his reputation and leave a black mark on the administration, but for this particular ranking, he remains in the middle of the pack.

Bill Clinton #7

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Score: 60.07

Clinton tends to receive high marks in today’s public opinion polls, but the raw numbers don’t speak quite as highly of the Commander in Chief. Yes, his economic numbers ranged from decent to good, but his party consistently lost seats throughout his presidency. To Clinton’s credit, he was able to work with a Republican-controlled Congress, but the fact that he lost so many seats at all speaks to an underlying flaw in the president.

Harry S. Truman #6

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Score: 60.94

Truman leads the pack across three categories: seats won, deficit and debt…a capable leader transitioning from war to peacetime. Still, his approval ratings don’t come close to several of the more popular presidents from the 20th century.

John F. Kennedy #5

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Score: 60.94

Another opinion poll favorite, JFK suffers slightly from Gerald Ford syndrome—he just wasn’t in office long enough to achieve his full potential. Even so, JFK sports the highest average approval rating of any modern president.

Ronald Reagan #4

Ronald_Reagan_48575

Score: 62.74

The Gipper has strong marks almost across the board, from approval rating to the deficit to unemployment. Incidentally, his only spot of weakness (at least in this methodology) is the federal debt, where he ranks among the bottom three for modern presidents (only better than Obama and FDR).

Dwight D. Eisenhower#3

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Score: 68.65

Eisenhower boasted solid economic numbers throughout his presidency, but his most impressive feat may have been maintaining such a high approval rating over eight full years. Throughout 96 months, he only dipped below 50% once.

Franklin D. Roosevelt#2

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Score: 69.08

Considered by many to be a top five all-time president, FDR earns our 2nd spot, with historically large improvements in unemployment following the Great Depression, and consistently high approval ratings over four terms. That said, FDR suffers just a bit in our rankings due to a gigantic increase in federal debt. Here, our methodology’s lack of foreign policy indicators rears its head, as FDR naturally pushed the country into debt in order to finance World War II.

 

Lyndon B. Johnson #1

 

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Score: 72.70

LBJ tends to get some respect in public opinion polls, but we’re higher on him than most. It’s tough to follow FDR on just about anything, but LBJ’s numbers speak volumes: he won over the American people early, boasting high approval ratings and the largest average margin of victory on our list. He reduced unemployment by over two full percentage points, kept the national debt under control, and helped the country move on from a global conflict. By our numbers, he’s the best president of the modern era.